. Il miglioramento delle città; o, la base pratica della œsthetics civica; . D .fase estetica dello sforzo educativo. XIII. Funzione e collocazione della scultura 216 scultura necessariamente educativa - in costruzione in morale, civica e storia - necessità di un ideale d'arte - Suggesionsfor porre la scultura della città - UN DefiniteSystem. XIV. Educazione popolare nell'arte . 237 la sua relazione con l'estetica Civica - Art Edu-condizioni di cittadinanza in città americane - Scuole e Gallerie della Città Inglese - Placeof Municipal Art e significa proteggere l'estetica Civica. XV lavoro di individui e sottigliezze 253 riconoscimento di Ar

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. The improvement of towns and cities; or, The practical basis of civic œsthetics; . D .Esthetic Phase of Educational Effort. XIII. function and placing of sculp- ture 216 Sculpture Necessarily Educational—In-struction in Morals, Civics, and History—Necessity of an Art Ideal—Suggestionsfor Placing City Sculpture—A DefiniteSystem. XIV. popular education in art . 237 Its Relation to Civic Esthetics—Art Edu-cational Conditions in American Cities—English City Schools and Galleries—Placeof Municipal Art. E Means to Secure Civic Esthetics. XV. work of individuals and soci-eties 253 Recognition of Arts Nearness to Life—The Local and General Associations—Local and National Societies of Art—Co-operation, Common Sense, Vigilance. vi Contents CHAPTER. PAGE. XVI. WORK OF OFFICIALS 271 Two Views of Municipal Art : (a) A Na-tural Product of Town Development—Responsible Officials Form Societies—(b)A Luxury Delegated to Separate Com-missions—The Proposal for a NationalArt Commission—Theory of Paris as aMedium Course. Conclusion 285 Appendix 295 Index 299. FOREWORD A WHOLE volume might be written on the sub-ject of any one of the chapters here given.In several of the cases there is a shelfful of bookson the matter of a single chapter—as on the pavingof streets, or a large volume on a single thought orphase of a chapter, as on Trees in Paris. Thepurpose of this book, then, is not exhaustive dis-cussion. It does not pretend to say all that can besaid of the work for beauty in cities and villages;but reviewing the whole broad field of the moderneffort, it tries to pick out the salient points, to de-clare the best that has been done along every line, and how and when and where it was done — en-couraging by showing the progress attainable be-cause somewhere attained. So it would supplementwith constructive criticism that which heretoforehas been so largely destructive. But it has other practical purpose even than this.It would be not only a handbook for re

Parole chiave associate all'immagine

• bookcentury1900
• bookdecade1900
• booksubjectcitypla
• bookyear1901