William Shakespeare, poeta, drammaturgo e uomo . e interludio furono dispiegate andharmonized nello spirito di libertà e con il 342 significato etico delle tragedie 343 sensazione di bellezza che erano i doni di theRenaissance al più grande dei suoi figli. Shakespeare era preminente un poeta e ishighly improbabile, quindi, che pensava outin anticipo i cuscinetti filosofica della sua arte andworked forhimself fuori un sys-tematized con-cezione della vita.Anche Goethe,la cui insightinto il princi-ple di arte pro-ductivity era asclear finalas e il suo creativegenius era di-rect e spon-t

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William Shakespeare; poet, dramatist, and man . e Interlude were unfolded andharmonized in the spirit of freedom and with the 342 ETHICAL SIGNIFICANCE OF THE TRAGEDIES 343 feeling for beauty which were the gifts of theRenaissance to the greatest of its children. Shakespeare was preeminently a poet, and it ishighly improbable, therefore, that he thought outin advance the philosophical bearings of his art andworked out forhimself a sys-tematized con-ception of life.Even Goethe, whose insightinto the princi-ples of art pro-ductivity was asclear and finalas his creativegenius was di-rect and spon-taneous, wasprimarily a poetand secondarilya critic or phi-losopher. There is every reason to believe thatShakespeares view of life came to him through thegradual disclosure of an experience which wasrationalized and interpreted by habitual meditation.A nature of such sensitiveness and receptivity ashis would feel the beauty of the world and thevariety, the interest, and the humour of life as hefelt these things in the years when he was serving. HENRY, PRINCE OF WALES, SON OF JAMES I. 344 WILLIAM SHAKESPEARE his apprenticeship and, a Httle later, writing theComedies. Such a nature, constantly fed by thatvital sympathy with men which is part of the gift ofgenius, steadily deepened and clarified by experienceand illumined by the insight of genius, wouldinevitably pass through the show of things to themoral order behind them, and discern more andmore clearly the significance of character in thefortunes and fates of men, as Shakespeare did in theperiod of the historical and purely poetic dramas. If at this stage a deep and searching crisis were tooccur in his spiritual life, misfortune overtake themen whom he loved and who personified for himthe spirit and genius of his time, and that time, sosplendid in its earlier promise and performance, be-come overclouded like a day fast hastening to night, his vision would insensibly widen and deepen, asdid Shakespeares when he entered upon the

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• bookcentury1900
• bookdecade1900
• booksubjectshakesp
• bookyear1901