With a mask and make up, young and attractive Agnes Moorehead is fashioned into a 105-year-old woman. To prepare her for the role of the centenarian Juliana in “The Last Moment,” make-up artist Buddy Westmore first obtained a Negacol impression of her face. The job took a week. From this he made a mold, into which was poured plastic material and baked for three hours. Nine masks were made in this manner, but only three were acceptable. Each morning, before facing the cameras, the actress sits for four hours while the mask and make-up are applied. In addition to the changes to her face, her arm

• Collaboratore: Associated Press
• ID dell’immagine: 2NAHGMM
• Dimensioni dei file: 19,8 MB (942,3 KB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 2304 x 3000 px | 19,5 x 25,4 cm | 7,7 x 10 inches | 300dpi
• Data acquisizione: 7 maggio 1947
• Fotografo: Don Brinn

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Not available to licence for any broadcast or streaming service, video on demand, film, national newspaper or to create a NFT. This content is intended for editorial use only. For other uses, additional clearances may be required. With a mask and make up, young and attractive Agnes Moorehead is fashioned into a 105-year-old woman. To prepare her for the role of the centenarian Juliana in “The Last Moment, ” make-up artist Buddy Westmore first obtained a Negacol impression of her face. The job took a week. From this he made a mold, into which was poured plastic material and baked for three hours. Nine masks were made in this manner, but only three were acceptable. Each morning, before facing the cameras, the actress sits for four hours while the mask and make-up are applied. In addition to the changes to her face, her arms also undergo the age treatment. Miss Moorehead sips coffee while Westmore wraps her hair at the start of the four-hour ordeal in Los Angeles, May 7, 1947. (A Photo/Don Brinn)

Parole chiave associate all'immagine

• arti e intrattenimento
• celebrità
• svaghi