Vista del Campidoglio durante il restauro di Michelangelo, il monumento equestre di Marco Aurelio nel centro dal 'Speculum Romanae Magnificentiae' ca. 1561–63 Anonimo questa stampa proviene dalla copia del museo dello Speculum Romanae Magnificentiae (lo specchio della magnificenza romana) lo Speculum ha trovato la sua origine nelle opere editoriali di Antonio Salamanca e Antonio Lafreri. Durante la loro carriera editoriale romana, i due editori stranieri - che hanno lavorato insieme tra il 1553 e il 1563 - hanno iniziato la produzione di stampe che registrano opere d'arte, architettura e viste della città rela
3717 x 2700 px | 31,5 x 22,9 cm | 12,4 x 9 inches | 300dpi
Data acquisizione:
19 gennaio 2022
Altre informazioni:
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View of the Capitoline Hill during Michelangelo's restoration, the equestrian monument of Marcus Aurelius in the centre from the 'Speculum Romanae Magnificentiae:' ca. 1561–63 Anonymous This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae’ first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed their own selection from the corpus to be bound, or collected a group of prints over time. When Lafreri died, two-third of the existing copper plates went to the Duchetti family (Claudio and Stefano), while another third was distributed among several publishers. The Duchetti appear to have standardized production, offering a more or less uniform version of the Speculum to their clients. The popularity of the prints also inspired other publishers in Rome to make copies however, and to add new prints to the corpus. The museum’s copy of the Speculum entered the collection as a group of 3 albums with inlaid engravings and etchings. The prints have since been removed, but the original place of each print within the album is contained in the accession number: 41.72(volume.place).Originally volume 1, plate 13 in the scrapbook.. View of the Capitoline Hill during Mich
