7894 x 6128 px | 66,8 x 51,9 cm | 26,3 x 20,4 inches | 300dpi
Data acquisizione:
1745
Altre informazioni:
Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.
‘Marriage à-la-mode’ is a series of six pictures painted by William Hogarth between 1743 and 1745 depicting a pointed skewering of upper class 18th century society. This moralistic warning shows the disastrous results of an ill-considered marriage for money and satirises patronage and aesthetics. Hogarth challenges the ideal view that the rich live virtuous lives with a heavy satire on the notion of arranged marriages. In each piece, he shows the young couple and their family and acquaintances at their worst: engaging in affairs, drinking, gambling, and numerous other vices. In the first of the series, The Marriage Settlement, he shows an arranged marriage between the son of bankrupt Earl Squanderfield and the daughter of a wealthy but miserly city merchant. Construction on the Earl's new mansion, visible through the window, has stopped and a usurer negotiates payment for further construction at the center table. The Earl proudly points to a picture of his family tree. The son views himself in the mirror, showing where his interests in the matter lie. The distraught merchant's daughter is consoled by the lawyer Silvertongue while polishing her wedding ring. Even the faces on the walls appear to have misgivings. Two dogs chained to each other in the corner mirror the situation of the young couple.This is a 19th Century version by J. Garner from the original by Hogarth.
