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CELTIC ORNAMENTS, The Grammar of Ornament, Owen Jones, 1910, Styles, pattern book, 112 sheets, INTERLACED STYLE., 1-5, 10-22, 26, 42-44, are Borders of Interlaced Ribbon Patterns, copied from Anglo-Saxon and Irish manuscript in the British Museum, the Bodleian Library, Oxford, and the Libraries of St. Gall and Trinity College, Dublin. 6, 7. Interlaced Ribbon Patterns, from the Golden Gospels in the Harleian Library in the British Museum. 8. Terminal Ornament of Initial Letter, formed of interlaced and spiral lines from the Copy of the Gospels in the Paris Library, No. 693. 9. Interlaced Ornament, from Irish MS. at St. Gall. 23. Terminal Ornament of Initial Letter, from the Coronation Book of the Anglo-Saxon Kings, a production of Franco-Saxon artists. 24. Terminal Interlaced Ornament, from the Tironian Psalter in the Paris Library. 25. Terminal Ornament, with Foliage and naturally-drawn Animals introduced, from the Golden Gospels. 27. Angulated Ornament, with interlacement, from the Bible of St Denis. 9th century. 28. Pattern of Angulated Lines, from the Gospels of Lindisfarne. End of 7th century. 29. Interlaced Pannel, from the Psalter of St. Augustine in the British Museum. 6th or 7th century. 30. Ornament formed of four Triquetrae conjoined, from the Franco- Saxon Sacramentarium of St Gregory, in the Library of Rheims. 9th or 10th century. 31. Part of Gigantic Initial Letter, from the Franco-Saxon Bible of St Denis. 9th century. 32. Quatrefoil Interlaced Ornament, from the Rheims Sacramentarium. 33. Angularly Interlaced Ornament, from the Golden Gospels. 34 and 37. Interlaced Ornaments, formed of red dots, from the Gospels of Lindisfarne. 35. Interlaced Triquetral Pattern, from the Coronation Gospels of the Anglo-Saxon Kings. 36. Circular Ornament of four conjoined Triquetrae, from the Sacramentarium of Rheims. 38 and 40. Initial Letters from the Gospels of Lindisfarne, with interlaced Patterns, Animals, and Angulated Lines. End of 7th century. 39. Terminal
