. Il Arapaho. Gli Indiani Arapaho; Arapaho arte; Simbolismo in arte; foto-scrittura, Indian; gli Indiani del Nord America; gli Indiani del Nord America. 76 Bollettino del Museo Americano di Storia Naturale. [Vol. XVIII, di massa e la legatura della tela ad esso in prossimità della sua sommità, in modo tale che dal- sollevando la pole la tela è stata elevata a l'altezza corretta. Le altre donne ora tutto è venuto fuori dalla tenda in cui erano stati. Cedar-Woman ha preso la pole che era situata sulla tela e parzialmente sollevato è quattro volte. Poi il proprietario della tenda, autonomamente, sollevato del tutto, metterlo al suo posto e diffondere la tela intorno a t

• Collaboratore: The Book Worm / Alamy Foto Stock
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• Dimensioni: 1662 x 1503 px | 28,1 x 25,5 cm | 11,1 x 10 inches | 150dpi

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. The Arapaho. Arapaho Indians; Arapaho art; Symbolism in art; Picture-writing, Indian; Indians of North America; Indians of North America. 76 Bulletin American Museum of Natural History. [Vol. XVIII, ground, and tying the canvas to it near its top, so that by- raising the pole the canvas was elevated to the proper height. The other women now all came out from the tent in which they had been. Cedar-Woman took the pole that was lying on the canvas and partially raised it four times. Then the owner of the tent, unassisted, raised it altogether, put it in its place, and spread the canvas around the framework of poles, though without fastening it either in front, over the door, or at the bottom edge; so that it sagged and hung loosely. Cedar-Woman now took the four tails which had had em- broidered pendants attached to them, and which were to be fastened to the four small cir- cular ornaments that were a few feet above the ground on the southeast, southwest, northwest, and northeast sides of the tent. Starting from before the door, and followed by the owner of the tent, she took a complex course that finally brought her before the northeast side of the tent, where one of the tails was to be attached to the beaded ornament. Her course is shown in Fig. 19. Altogether she walked past every part of the circumference of the tent three times (excepting the distance between the place where she stopped and the door from which she started); crossed the tent four times from north to south or south to north, lifting up the canvas once at each of the places where the ornaments were, going under it, and emerging under the ornament directly to the north or south; and in all her course kept turning from left to right, making five complete revolu- tions. When the two women had stopped on the northeast of the tent, the owner pierced the ornament with an awl, and Cedar-Woman fastened the tail to it. The remaining par- ticipants in the ceremony, together with several other per- sons who h

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• bookcentury1900
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