. La casa inglese, il modo di giudicare i suoi periodi e stili. r della propria, per tutta fa9ade isbroken fino con sporgenze e la horizontallines non prevalgano su quelli che sono ver-tical, così che vi è una sensazione di growthsuch verso l'alto come la troviamo in un misto di stili di andClassic gotico. Anche il cielo-linea avrebbe beeninterrupted da frontoni, torri e statue.Jones ha reso questo grande design presto dopo hissecond visita in Italia, ancora prima che egli avesse settleddown in piena solidarietà con il classico ordini. Nella presente Banqueting House in modo wellknown in connessione con la morte di Carlo I.,possiamo

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. The English house, how to judge its periods and styles. r of its own, for the whole fa9ade isbroken up with projections, and the horizontallines do not prevail over those which are ver-tical, so there is a feeling of upward growthsuch as we find in mixed styles of Gothic andClassic. Even the sky-line would have beeninterrupted by pediments, towers, and statues.Jones made this great design soon after hissecond visit to Italy, yet before he had settleddown into full sympathy with the Classic orders. In the present Banqueting House, so wellknown in connection with the death of Charles I., we may see the nature of the work that Joneshad in mind; only we must remember thatother parts of the building would have hadthree stories instead of two, so as to give varietyto the general outline. To be brief, Whitehall is an example of thethwarted aims which Classical art met withduring the Great Civil War ; and a good manyother events broke in upon the new architectureand hindered its slow adaptation to the needsof English life and to the conditions of a. •rip aU z P=! s < 5 2 O g z ^ Hu . s ^ bo a $Q So TH5 RENAISSANCE 257 Northern climate. For example, if any archi-tect wished to study at first hand the Classicstyles which he copied, he travelled at greatexpense to Italy; and even then, after hisreturn to England, he had to rely upon booksand memories. Under this disadvantage hewas never aided by living traditions, andhence the eagerness with which any help fromabroad was welcomed. When Charles II. came to the throne, in1660, French influence grew strong, and itlasted till the times of George II., though itspower was disputed by a Dutch rival duringWilliam and Marys reign. The early workof Chippendale is an example of this Frenchtaste, for its reiteration of reversed curves wasprompted by the style of Louis Quatorze.The chronology of Chippendales designs maybe followed by noting how he went away bitby bit from this characteristic, till he camein touch with that Chinese ma

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• bookcentury1900
• bookdecade1900
• booksub
• booksubjectarchitecture