La rivista canadese di politica, scienza, arte e letteratura, novembre 1910-aprile 1911 . ething connected con la sua arte. Quando lo trovai atPars, era appena venuto dentro dall'atrip fuori a Dieppe, whitiher ha egandato dipingere il mare, la riva, e le figure accessori di bagnanti andsandwalker. Poi lo vidi aspettare che il sole splenda nei Giardini Luxem-bourg, una parte di Parigi che gli si appellava molto. Ho istfond di sketching lì, e indeedone può pensare di non più delizioso 562 LA RIVISTA CANADESE spot per l'obeervatiou del gioco ofsunlight su abiti dai colori vivaci, bron

• Collaboratore: The Reading Room / Alamy Foto Stock
• ID dell’immagine: 2AX0FT9
• Dimensioni dei file: 7,1 MB (312,9 KB Download compresso)
• Liberatorie: Modello - no | Proprietà - no
• Dimensioni: 1759 x 1420 px | 29,8 x 24 cm | 11,7 x 9,5 inches | 150dpi

Altre informazioni

Questa foto è un'immagine di pubblico dominio, il che significa che il copyright è scaduto o che il titolare del copyright ha rinunciato a tale diritto. Alamy addebita un costo per l'accesso alla copia ad alta risoluzione dell'immagine.

Questa immagine potrebbe avere delle imperfezioni perché è storica o di reportage.

The canadian magazine of politics, science, art and literature, November 1910-April 1911 . ething connectedwith his art. When I found him atPars, he had just come in from atrip out to Dieppe, whitiher he hadgone to paint the sea, the shore, andthe accessory figures of bathers andsand-walkers. Then I saw him wait-ing for the sun to shine in the Luxem-bourg Gardens, a part of Paris thatlias appealed to him greatly. Ho isfond of sketching there, and indeedone can think of no more delightful 562 THE CANADIAN MAGAZINE spot for the obeervatiou of the play ofsunlight upon brightly-coloured gowns, bronze or marble figures, miniaturelakes and craft, grass, flowers, shrub-beiy, trees, and blue skies, with themovement of playing childien and thegrouping and postiuing of listless wo-men and idle, sauntering men. to paint, and he seems to know whatevery stroke of the brush will pro-duce, ^luch of his persistence andcandour could no doubt be traced toScottish ancestry, while his resent-ment of anything small, compromis-ing or hackneyed is Hkewise inborn.Six vears ao^o Sir. Russell went to. BRIDGE 0^EK THE SEIXE Undoubtedly Mr. Eussells suc-cees as a painter is due in laige meas-ure to his naturally artistic tempera-ment, with the rare combination ofard work, sincerity, and just enough.ggressiveness to keep up entliusiasmo the point of accomplishment. ForMr. Eussell is anything but a slug-gard, and he works with a dexteritythat is seldom acquired even by mucholder painters. His rapidity is due inpart, at least to the fact that he hasmastered his subject before he begins Paris, where he took a studio and be-gan the practice of his art. Thefirst years were devoted to hard studyand voyages of discovery, until in timethe painter found himself. He likesto occasionally paint landscape andthe sea, and his eesays in these out-of-doors subjects have no smack ofthe studio. His beach scene atDieppe is a fine symphony of colours, while the inrush of the sea and thefigures on the sand are sugges

Parole chiave associate all'immagine

• bookcentury1800
• bookdecade1890
• booksubjectcanadia
• bookyear1893