Studio internazionale . istic era di qualità richiesto e che lo ha portato in un vezzo da cui hecould solo gradualmente liberarsi attraversoil più zelante lavoro. La sua profonda con-sciousness della sua vocazione artistica e theenergy del suo carattere salvato lui fromthese pericoli dei suoi anni di studio. Dopoun pochi anni di stravaganti, fantasie artistiche,senza un substrato sufficiente della realtà,egli finalmente emerso come il termine,altamente Artista colto nel suo exquisitewater-colori da Grez in Francia, dove, durante alcuni anni negli anni ottanta, un Swed-ish colonia di pittori aveva risolto. Esso wasin Grez t

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International studio . istic quality was demanded, and that led him into a mannerism from which hecould only gradually free himself throughthe most earnest work. His deep con-sciousness of his artistic calling and theenergy of his character rescued him fromthese dangers of his years of study. Aftera few years of extravagant, artistic fancies, without a sufficient substratum of reality, he eventually emerged as the finished, highly cultivated artist in his exquisitewater-colours from Grez in France, where, during some years in the eighties, a Swed-ish colony of painters had settled. It wasin Grez that he won his noble wife andcompanion in all the vicissitudes of life, Karin Bergoo, who, thanks to the brush ofCarl Larsson, will, for many generations tocome, stand as the archetype of the Swed-ish wife, mother, and mistress of the house.We read his praise of her in his paintingsjust as in the Proverbs we find a word-pic-ture of the good and diligent wife, the keeperand guardian angel of her household. 0 CARL LARSSON. IN mothers bed (1908) WATER-COLOUR BY CARL LARSSON (In the collection of Carl Piltz, Esq., Stockholm) However, Larsson had far too rich a giftof imagination and too versatile a technicaltraining to stick to water-colours, in spiteof the success he had won with them. Hewished for bigger tasks and he found them— thanks to Pontus Furstenberg, theGothenburg merchant, who became thesupporter of our struggling young artistsat a period when they had a very badcharacter with the official keepers of artin Stockholm. For his art gallery Larssonpainted three large decorative canvases, Renaissance, Rococo, and Modern Art, en-closing them in a framework of figuresmodelled and cut in wood by his own hand.This was his only achievement in thesphere of sculpture, but it shows his know-ledge and artistic command of the humanform in the very best light. At the biddingof that same Maecenas he was entrustedwith the decorating of the staircase in agirls school. In a series of picture

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